Presentation 17 March 2018

THE BASKET BY CHILADZE OTAR

11:30 Location: Leipzig Leipzig Book Fair, Forum OstSüdOst: Halle 4, Stand D401 Messe-Allee 1, 04356 Leipzig, Germany Organizer: Georgian National Book Center, Matthes & Seitz Berlin Participant: Kristiane Lichtenfeld
Moderator: Meike Rötzer
Publisher: Matthes & Seitz Berlin, 2018
Partner: Konrad Adenauer Foundation Regional Program Political Dialogue in South Caucasus

The Basket  published in 2003 is the last novel by Otar Chiladze. A Saga-novel, overtly portraying 'empire of evil', its consequences and a long journey of Georgian society and culture, won top literary award SABA as the best novel of the year. The story begins at the end of the 19th century when a Russian officer seduces a Georgian shepherd’s wife: the resulting bastard, the ancestor of the novels anti-heroes, is kept in a basket where he cannot interfere with his mother’s adultery. The shepherd avenges himself by murdering his wife and disemboweling himself, but fails to kill the boy in the basket. The boy, Razhden Kasheli, later rapes his foster-mother, before disappearing to become a robber and murderer, returning to Georgia with the Red Army and a female tramp he has married: he becomes a killer for the Soviet authorities. After he is murdered by a drunken Assyrian, his son Anton acts as a GPU and NKVD killer in the Great Terror of 1937-8, shooting countless victims. Anton’s great achievement is to marry Princess Ketusi, whose father and husband he has murdered, thus initiating the process, fatal for Georgian society, of intermarrying and interbreeding Soviet killers with Georgian aristocrats and intellectuals. Anton is killed by a runaway truck in 1949, but his son Razhden 2nd takes over as an important Soviet official. Razhden’s son Anton 2nd may not, however, be a real Kasheli, since his mother Pepe was pregnant before the parents married. Anton is a childish dreamer and, manipulated by Razhden 2nd , marries Liziko, the daughter of an unworldly writer, Elizbar. Razhden seduces Liziko: both Anton and Elizbar find out after Liziko confesses to her stepmother. More important even than these violent sexual and homicidal events are the author’s and character’s reflections on the irrecoverable degradation of the country.